“Fishing provides that connection with the whole living world…a form of meditation, some form of communion with levels of yourself that are deeper than the ordinary self.”

~Ted Hughes

Ben Deighton

Cellist

“A river, though, has so many things to say that it is hard to know what it says to each of us.”

~Norman Maclean, A River Runs Through It

“Music-making and fly-fishing are my life’s passions, and for me, they are closely related. Both ask for patience, and a willingness to listen more than to control. When standing in a river, you read the flow—its hidden shifts, its quiet momentum—and respond with sensitivity. Music asks for the same calm attention. It is in musical collaboration that this kind of listening becomes essential. I am especially drawn to chamber music for the energy of shared interpretation—the way ideas move quickly between players, roles shift in an instant, and communication feels alive and immediate. In recent years, my experiences as a musician have led me to think more deeply about the connection between mind and body, in learning and in performance. Personal challenges have shaped my awareness of how thought patterns, physical tension, and emotional state influence the way we practice, and the way we communicate. I am increasingly interested in approaches to music-making and teaching that support both artistic growth and well-being—cultivating focus, resilience, and a sustainable relationship to the instrument.”